The girl is extra emotional, extra nervous, and more irritable than normal, and will manifest critical psychic disturbance. Fifty years later, readers could well find the ideas of ʻa total perspectiveʼ and the ʻunityʼ of a life phantasmatic, utopian or worse. For probably the most primary existential assumption, which is the basis of the whole perspective, is that any good definition of the human being is most significantly a purely formal statement of a condition or a construction that in reality resists all definitions which would be determined or closed: ʻwhen we must do with a being whose nature is transcendent actionʼ, de Beauvoir says, ʻwe can never shut the booksʼ. What de Beauvoir takes to be distinctive about this strategy is its try to understand man, as she says, ʻin the overall perspective of his existenceʼ. The first part of The Second Sex deals critically with biologism, psychoanalysis and historic materialism precisely because every makes an attempt to understand the human being, or the human female in particular, from a limited perspective. Butlerʼs theoretical assertion of this place, as outlined in the first chapter of Gender Trouble, is that ʻsexʼ, the presumption of binary sex difference, is an impact ʻof the apparatus of cultural construction designated by genderʼ.
In Gender Trouble Butlerʼs position on de Beauvoir is more ambiguous. Furthermore, Butlerʼs notion of ʻthe bodyʼ is analytically indistinguishable from that of sex or gender. My suggestion is that the notion of ʻwomanʼ within the Second Sex is just not merely translatable into the class of ʻgenderʼ, indeed that it cuts across or problematizes the normal sex/gender distinction. In line with a certain Heideggerian tendency in postwar French philosophy, Butler then makes no distinction between this ʻmetaphysics of substanceʼ and the more normal notion of an ontology. Then you went to brush your teeth. We went with Lisbeth Salander, as performed by Noomi Rapace in “The Girl With the Dragon Tattoo” and its related sequels, for being an absolute badass who takes vengeance into her personal arms when the time is appropriate. It could seem, then, that every feminine human being is not essentially a girl; to be so considered she should share in that mysterious and threatened reality which is femininity.
It appears plausible, then, to interpret this intercourse difference, the fact of the division of human beings (and different animals) into mâle et femelle, because the ʻsexʼ of the sex/gender distinction. Within the Second Sex one finds the phrases sexe (obviously), la femme or les femmes (woman, or ladies), la féminité (femininity, a noun), fémininʼ/féminine (an adjective) and la femelle, or les femelles (the feminine, or females), additionally femelle as an adjective, typically with the word humaine – that is, in phrases akin to ʻthe human femaleʼ. All agree in recognizing the fact that females exist in the human species; immediately, as at all times, they make up about one half of humanity. This description of menstruation reads just like the symptoms of a poisoning; one half expects de Beauvoir to conclude that it often results in demise. De Beauvoir can even usually seek advice from the irreducible duality of sex difference, the undeniable proven fact that there are two sexes (even though, observe, she shouldn’t be unaware of the phenomenon of intersex21).
In ʻVariations on Sex and Genderʼ Butler credits de Beauvoir with a idea during which sex was already gender, however only as a result of she makes de Beauvoir already a Butlerian thinker. Moreover, ʻsexʼ is an effect of gender that turns into reified in such a fashion as to current itself exactly not as effect but as the reason for gender, because the more or less figuring out natural undeniable fact that works to stabilize, in the sense of justify and uphold, the very gender configurations from which it emerges. Sex then appears, Butler contends, as a substance, in the normal philosophical sense of the word. The consumer then chooses an escort and arranges a meeting at a discreet location. And then it ought to be rooted in observe rather than in idea. Transposed into the idiom of post-1960sʼ Anglophone feminism, a feminism dominated on the theoretical level by sociology and political concept (which is not any unhealthy thing), the sentence not carries with it the philosophical position from which it arises. Possibly NSFW. Sorcery one zero one (Finished) Urban fantasy drama with vampires, werewolves, magic, the whole thing. De Beauvoir seems to wish to reveal every attainable biological weakness within the feminine solely so she will be able to then declare that these ʻfactsʼ, which cannot be denied, have in themselves no significance.